PRI-ISDN Protocol Analyzer. The Integrated Services Digital Network (ISDN). Telephone Wiring Wiring of a normal. Note that a standard BT line does not have enough power to run a normal ISDN phone. VO2 Mix’s digital patch and ISDN patch system allows us to connect to virtually anywhere in the. We also offer traditional phone patch services for those situations where the client doesn’t have. How to use ISDN in your voice over home recording studio for jobs and work as voice over talent in commercials, animation and narration from Aliso Creek voice over classes. Recording voiceover in Minneapolis via ISDN Digital Patch, Source-Live, Source Connect or phone patch.Find great deals on eBay for Telephone Patch Panel in Network Patch Panels. Shop with confidence. Resources describing delivery types: ISDN, ipDTL, Phone Patch, Source connect, etc. Chris Carlson Cocoa and Fig corporate video mixing Gabriel deGrood Bendt greg geitzenauer Haitian to English phrasebook ISDN Digital Patch Jeff Schuller. Babble-On Recording Studios, Inc. Pros and Cons of Offering Phone Patch Services. What does it take to offer phone patch services and make it profitable for your business? Voice Over Experts brings you tips, pearls of wisdom, and techniques from top instructors, authors, and performers in the field of voiceover. Join us each week to discover tricks of the trade that will help you to develop your craft and prosper as a career voiceover talent. It's never been easier to learn, perform, and succeed from the privacy of your own home and at your own pace. This is truly an education you won't find anywhere else. This week, voices. Anthony Reece. Anthony Reece: Hello, I'm Anthony Reece for VO 1. Got an email last week from a student of mine so I thought I'd share it with you all in the form of this podcast. The question was, Anthony, as a former student of yours, what is the importance of having phone patch services available to clientele? Well, needless to say, this became the topic of debate at my studio after getting the email. You see the phone patch is a very important tool used today by most voiceover talent; however, it can also be abused by the client if you're not careful. Let's say for example, you get a call for a small job worth about a hundred bucks. The client may contact you and say, . I mean there is nothing worse to a voiceover talent than getting on the phone patch and hearing that your client has no clue what they're doing when it comes to what is expected from a talent or for that matter, how to direct you as a talent or how to even approach a recording session. So let's take a few minutes and weigh out the pros and the cons of offering phone patch sessions as a voiceover talent. So what is a phone patch? Well, a phone patch is nothing more than allowing your client to listen to you recording your voiceovers in your own audio software within your own studio by telephone. It literally is as simple as your client contacting you by phone or you calling your customer by phone then allowing them to listen in on your voice recording session, it's that simple. What is the difference between ISDN and phone patch? Well, the primary difference between ISDN and a simple phone patch is you are not allowing your studio to actually be synced to another studio real time. You see ISDN and software like Source- Connect allow you to synchronize or link up one studio to another anywhere in the world using broadband in real time. A phone patch is literally just that, your customer listening to you record within your own studio over the telephone. What gear is required? Well, if you are desiring to create an ISDN or a Source- Connect type environment, you are going to have out- of- pocket expenses. Source- Connect can run you anywhere from $4. ISDN can even be up in the thousands of dollars out of pocket. However, the beauty of the phone patch is there is literally just about no out- of- pocket expenses for you as a talent. It's as simple as investing in a $1. Wal- Mart allowing that individual or a client to contact you on a phone that you are currently using in wireless form and standing inside your recording booth with the phone against your ear while you record the tracks into the microphone. They can then direct you listening, even hear you back while you're recording through the telephone. Meanwhile the voiceovers that you're laying into your microphone are being captured in your own audio editing software of which you will edit, clean up, master, and deliver to the client later after the recording session. So other than having a broadband phone service such as Vonage or downloading the free Skype software available worldwide, there's really no out- of- pocket expense to create a phone patch for your studio. Should I charge more for my phone patch service? Well, here's one of those areas of debate I spoke about earlier at the beginning of this podcast. This was one of the main issues that we debated the day this email arrived. In some situations, a talent considers a phone patch or offering phone patch services as a luxury or value added add- on. This will be up to you as an individual voiceover talent to decide whether or not you consider phone patch services a premium service or for the course and part of your overall offering. I know a few talents who require a $5. I know offer phone patch as a free service as another way to land the gig. So only you can decide over time if you want to charge for the phone patch option primarily based on how often the phone patch service is actually requested by your customers. Should I set a minimum fee to offer phone patch? This was another great point in the email from my student. He was wondering whether or not he should offer a minimum fee in order to offer phone patch services. I kind of agree with this to be quite honest with you. If a client wants to have the ability to direct you and take your time and schedule a private session, etc, there is an argument to be said whether or not there should be a minimum. This also comes down to you as a voiceover talent, how quick you are, how creative you are, how directable you are, and how flexible you are at recording on your own and delivering the goods back to the client based on written or pre- production directions and notes sent by email. I personally feel like I have more freedom when I'm directing myself and I can decide when I want to cut those tracks based on my day- to- day schedule. I know talents such as myself that can do a small job for let's say $1. I can produce results on my own in a matter of 1. However, if I gave my client the ability at that fee to direct me by phone patch, this could run into an hour or an hour and a half even two hours depending on the directions that I'm offered, how competent my client is, do they have experience, and how many of the chefs are there in the kitchen at the same time at my client's business or office. In other words, if I'm in control, I can blast out what I need in 3. If my client is in charge and he has two or three marketing people in the room, they're constantly debating what color green should be and red should be, then ultimately the session can go into an hour or to even two hours. Only you will decide as your career moves forward if you should require a minimum fee for a phone patch. How important is having a pre- production talk before the phone patch session? I can't even begin to tell you how important it is for you to have a creative session by email or over telephone prior to having a phone patch session with a client. This will give you a great opportunity to break the ice with your client, find out what the client is looking for, get a better idea of the scope of the project and spell out the terms, conditions and limitations of the time allotted for your phone patch session. As with any voiceover project, prior creative input and directions, notes, and final copy from your client is a must have before proceeding with any voiceover session via phone patch or not. How do you set limits and parameters of a phone patch session? Simply put, you've got to make sure your clients knows in advance you're allotting 3. Whatever the length of time is based on the fee for the job, that's how much you're allowing them in real time recording over the phone. I've had clients in the past who will take an hour and a half to two hours because there's constant bickering, creative debate going on in the other end of the phone, they'll ask me to change up things, they'll ask me to do things that weren't necessarily agreed upon. So I've learned a hard lesson from the school of knocks, make sure you spell it out prior to the phone session what they want, what you're going to do, as well as limitations on director's input from the other side of the phone. Then when the session comes along, it will be smooth sailing therein. Should I take control of my phone patch session? There are times of where if you're working with an inexperienced customer or a client on the other end and you can sense that they're not exactly the wisest of directors, you may want to gently try to lead the session. This is an area that you have to be careful because you don't want to offend the customer or at the same time appear overbearing or overwhelming as though you're trying to be a control freak. However, you have the experience if the client is inexperienced and ultimately, you will be responsible for the voiceover you deliver. So if they're having problems, take control of the session and walk through the session as you would do if you're recording on your own. How many takes should I offer my client during the phone session? Well, this depends on the project itself whether or not it's simple clips for a game or an animation or cartoon or a 1. So depending on the scope of the project, this is going to really actually offer what you should deliver in the way of finals and takes during the session. Again, this is why you need to set an overall time or time limitation on the length of the recording session via phone. However, I do recommend a maximum of three takes per commercial or a clip or dialogue paragraph. This makes things smoother and keeps the session flowing at a quicker pace. If I offer a phone patch, should I offer free re- cuts too? This is a great question. Many talents will offer phone patch services in lieu of a secondary free round of pickups or re- cuts. Simple, the client has you on phone, the client is directing the session, the client is responsible for the outcome of the session. In other words, if you're being hired for a typical voiceover session that you're responsible to direct yourself, edit, record, and deliver the tracks, then obviously you need to guarantee the content will be delivered as they requested. However, if the client is on the phone and they're directing the session and you are doing nothing more than conveying what they're asking or how they're asking you to interpret a line, then obviously the client needs to take the responsibility as the director. Two production suites are available for full service audio, featuring voice booths, Pro. Tools DAW, ISDN digital patch, phone patch, sync to picture and more! Suite 5. 01 also includes Mainly Editing, a 4 room full service video editing facility, and Mad Max Designs inc. Sandy Crisp is Suite 5.
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